Kikugawa eizan biography of william shakespeare

Kikugawa Eizan - Bijin Holzschnitte. Although Kikugawa Eizan appears to have retired from printmaking in the late s, he continued to create book illustrations even in his later years. Wikimedia Commons Wikidata item. As Eizan reached artistic maturity he began to develop his own figural style, still focused for the most part on prints of beautiful women bijin-ga.

Join us and start bidding on exceptional Japanese art prints. Eizan's work retains the sensitivities and lyricism that marks the Utamaro style, as opposed to the earthier realism and more overt sensuality of Kunisada and Keisai Eisen. How Can I Bid? Eizan's earliest style c. Subscribe to the artelino youtube channel. Kikugawa Eizan , much like Toyokuni I in actor prints, represents the final evolution of the classical ukiyo-e style in bijin-ga.

Kikugawa Eizan (菊川英山) - Viewing Japanese Prints

While his primary focus was bijin prints, he also experimented with subjects such as actors, landscapes, animals, and children, adding diversity to his art. Eizan, like Toyokuni I in actor prints , is the last manifestation of the classical ukiyo-e style in bijin work, with harmonious colors and graceful lines and subjects. Ukiyo-e schools and artists.

Continued to paint long after he had abandoned print designing, and a six-fold screen of Courtiers in a Boat Admiring Cherry Blossom bears the signature 'painted by the old man of seventy-seven years, Kikugawa Eizan Toshinobu', and so must have been done in Hidden categories: Articles with short description Short description is different from Wikidata Articles lacking in-text citations from March All articles lacking in-text citations Articles containing Japanese-language text Commons category link is on Wikidata.

Kikugawa Eizan stands out as the most prolific, longest-lived, and preeminent among the late followers of Utamaro. While still only in his early twenties, Eizan assimilated elements of the Utamaro style, but soon afterwards introduced a re-imagined vision of the female face and form that was uniquely his own. Although some of his early work was dependent on the style of his great predecessor Kitagawa Utamaro , to dismiss Eizan as a mere imitator would seriously undervalue his achievement.

Eizan favored the term "furyu" meaning "elegant" or "stylish" for naming his bijin series, with many beginning with this phrase, which is often left untranslated to preserve its authenticity. Title Beautiful Courtesan and the Fan. Along with Tsukimaro and Utamaro II , Eizan has generally been dismissed by connoisseurs as a plagiarist of Utamaro's late style, but his work in fact develops, like that of most ukiyo-e artists, from a close identification with a leading master to a studied independence, and contains pieces of remarkable beauty and interest.

Yamabuki Japanese yellow rose, Kerria japonica bloom around her. New User? Ukiyo-e painter, printmaker. Categories : Ukiyo-e artists Japanese printmakers births deaths. This article includes a list of references , related reading , or external links , but its sources remain unclear because it lacks inline citations.

Kikugawa eizan biography of william shakespeare: This woodblock print by

Auction ending in 9 hours, 46 minutes and 9 seconds. Eizan was the most prolific, longest-lived and ultimately the best of those late followers of Utamaro who attempted to carry on the master's bijin style after his death in Excellent color and very good condition; unbacked. This artist should not be confused with Harukawa Eizan , an ukiyo-e print designer who was active in the s.