Eifman ballet anna karenina or tchaikovsky biography pdf

Subscribers: log in. She had been wearing a midnight blue gown, but then emerged in a white leotard and tights, as if the life had been sucked out of her! There is no bombast or bravura dancing to give the dancers substance.

Eifman ballet anna karenina or tchaikovsky biography pdf: Since she's been a

As a ballet, it engages our close attention and participation lest we miss a nuance. Rather than a continually lighted stage, beams were selectively focused, often with blackness elsewhere. View All Posts. Very talented! Loading Comments Over and over, costume became one of the sensory conduits to the message of the plot. The Auditorium Theatre of Roosevelt University.

Eifman Ballet of St. Petersburg: Anna Karenina - ExploreDance

The principal parts of Anna, Karenin, and Vronsky require performers who are not only consummate technicians, but actors as well. It was the sort of light shape an oncoming train plays upon the tracks, but turned on end, pinning her like a specimen in its beam. Other Search Options. Rapid scenery changes whisked us from the opulence of Pre-Revolutionary ballrooms, to the somber and heavy confines of the Karenin mansion and then to the portentously ominous grime of a train station.

During one of the more contemporary segments of choreography, Anna spirals downward in opiate induced destruction. Such quirky choreography was brilliant in ensemble sections depicting wealthy gatherings or drunken military parties, but in solos or pas de deux it appeared ridiculously melodramatic and utterly failed to convey the struggle and grief of the main characters.

Roberta E. Karenin tears off his coat as though he is rending the garment of his life. The affection between Anna and Vronsky begins to break down In St. Facing the audience, she crawls into her bottle, so to speak, by wriggling through the open shelf of a small table, which holds her drug. In a recent interview, Mr. Lewis Theater Harold M.

As well as producing radio programmes she has contributed to television and radio documentaries about dance and dancers. Capitol Theatre, Sydney, August 15 Anna Karenina has all the ingredients for a perfect ballet - an elegant heroine torn between lovers, high society balls and inescapable tragedy. In the Karenin household there is marital discord.

The corps de ballet are not individuals but implacable forces, human and inhuman. He had always seemed cold and distant. Turns that double back on themselves as the danseur guides the ballerina under his arm with his hand to her head, slides along the floor, floor work itself, and even a spinning "death spiral" hearken back to icy arenas.

A similarly fluid pas de deux between Anna and her lover Oleg Gabyshev in Act 2 was another highlight.