Michael d mattesi biography graphic organizer pdf

The face and hand were handled with an abstract flat shape that I filled with structure because of their complexity. Remember, contrast creates interest. That means draw what is happening and know what is most important to the story. This restriction allowed for the creation of this design. Beware mediocrity through the lack of contrast. Use the colors to make a statement.

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With that in mind, the vertical thought falls, the horizontal lays flat, and the diagonal at forty-five degrees has the most movement and drama. I added the crown and slippers to push the story moment. Space with Character Here is our last image in this section. Fear comes in all forms, some more obvious than others. This idea led me to look for clues.

Shape with Character This drawing of the same model shows the shift in the hips moving in the opposite direction. When I received this photo of the woman in the pink hat, I first thought it was a man in drag. Why does this pose with these clothes give me this story? Let drawing be about your experience and curiosity, not final product. Notice how I started breaking those boxes down into smaller boxes.

Again, this was created from abstract shapes. Force still makes its way through the figure. However, I thought it would be more interesting to use the drapery for the wrinkles on his angry face. That horizon line is your line of vision relative to the farthest location of the plane you are standing on, which more likely than not is Earth.

An invasion of armies could be resisted, but not an idea whose time has come. Why do I think this way about these clothes? That is a bang for your buck. Precariousness could also be implied by it trying to balance on its point. On separate layers also set to multiply, I start to drop flat color over the top of the character.

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Know your objective and use the right tools for the right job to get your point across. Advanced embedding details, examples, and help! I made the background green to pop the red out in the scarf and shirt. The number one does also. Each line is a force. RISK Well, we just spoke about fear and here we are talking about risk.